- Unmasked 2021: A Virtual Exhibition, Juried Exhibition, TASA, Texas professional and faculty members, October 2021
- CAMEO Emerging Artist Show – 2021, College of the Mainland Art Gallery, August 30 – September 24, 2021
- Creating a New Reality of Imagination, The Annual Members Art Show, Brownsville Museum of Fine Art, September 8 – October 21, 2021
- 3rd Resaca Exhibit, Brownsville Museum of Fine Art, July 16 – August 28, 2021
- UTRGV Senior Class Exhibition Spring 2021, UTRGV School of Art, Online Exhibit, Gallery Installation, Spring 2021
- UTRGV online Senior Class Exhibition Fall 2020. UTRGV School of Art, Online Exhibit, Fall 2020
- 2nd Resaca Exhibit, Brownsville Museum of Fine Art, October-November 2020
- Spring 2020 Senior Exhibit UTRGV Brownsville Campus, Online Exhibit, Spring 2019
- The Hanged Man, for Chambe Orchestra and Narrator, Collaboration with composer, Karl Julius Lieck, Completed November 2020, Performance and publication TBD
- Halloween Showcase, Original Artworks and Stories, UTRGV College of Fine Arts, Theater and Film, Fall 2020
- Voices, North Carolina Folk Art Society, by Joe English, Interviewed for article on southern ceramic stacked totems, and excerpted quotes from written text in which I describe my contribution, (not publicly available) September 2020
- Spring 2019 and Spring 2020 Issue of the Chachalaca Review, https://chachalacareview.com/ works accepted: “Egg Head,” “Fear Not, “Sing to Us Now,” “Susanna and the Elders,” “Tap Dancing in the Clouds,” “The Door Hinge Spoke”, and “Transmigration.”
During The Lockdown, UTRGV – Brownsville Rusteberg Art Gallery, 26 Oct – 20 Nov, 2020
- Castilian Roses in December, San Benito, Cultural Heritage Museum, December 12, 2019 – January 24, 2020
- B & E Art Studio’s 3rd Annual Juried Show, Brownsville TX, December 2019
- 2019 IRENE ROSENZWEIG BIENNIAL EXHIBITION, juried exhibition, Pine Bluff, Arkansas, Fall 2019
- Brownsville Museum of Art 2019 Member’s Show, Brownsville TX, Summer 2019
- The Third National Juried and Invitational Exhibition of Cups, the Hudgens Center for Art & Learning, Juried by Roberto Lugo, Duluth GA, May 4-July 27, 2019
- UTRGV School of Faculty Art Exhibition 2019, UTRGV Brownsville Campus, Rusteburg Gallery, February 19, 2017 – March 22, 2019
- “Amor”, a Poetry and Art Exhibit, Artevivo Art Studio, Brownsville TX, February 15 – March 1, 2019
- Fine Art & Poetry, Nature of the Valley Art Exhibition, sponsored by the UTRGV School of Art with the collaboration of the South Texas Border Chapter of Texas Master Naturalists, UTRGV Charles & Dorothy Clark Gallery, Edinburg, Texas, February 08 – March 15, 2019
- “underSTOOD”, Exhibition as ROCKELMANN & PARTNER, co-curated by Priscilla Fusco and Ben Peterson. “underSTOOD” is a traveling group exhibition that started at Hunter College, New York, also exhibited in Berlin and Albuquerque NM. Nov. 30, 2018 – Jan. 12, 2019
PUBLICATIONS, TV, VIDEO, INTERNET
- Spring 2019 Issue of the Chachalaca Review, https://chachalacareview.com/works accepted: Egg Head, Fear Not, Sing to Us Now, Susanna and the Elders, Tap Dancing in the Clouds, The Door Hinge Spoke, and Transmigration.
- Poster Art Chosen for the Christian Community Services, Duncan, BC, Vancouver Island. 2017
- AAA Travel Magazine, Image of sculpture published, 2015
- International Ceramic Directory, 1999 – 2015
- Eat White Dirt, Film/Video on Georgia Kaolin, Interviewee and consultant, Produced, by Adam Forrester, 2014
- Southern Cross Review, http://southerncrossreview.org/96/hawks-bridge-2.htm, October 2014 Issue
Moment, Published by Santé Fe College Gallery, Gainesville FL, 2014
Artevivo Art Studio is located at 535 E 12 between Washington and Elizabeth.” The exhibit may be viewed by appointment throughout the rest of the month and the first week of May.
2/15/2018 Icons and Symbols of the Borderland/ Bi-national Exhibition – Brownsville Convention & Visitors Bureau
UTRGV – Brownsville Rusteberg Art Gallery and
Brownsville Museum of Fine Art will jointly exhibit
Icons and Symbols of the Borderland, curated by
Diana Molina and organized by the Juntos Art
Rusteberg Gallery opening reception will be on Tuesday,
January 23 from 6:00 pm – 8:00 pm. The exhibition will run
though Friday, March 23.
Brownsville Museum of Fine Art opening reception will be on
Tuesday, January 30 from 6:00 pm – 8:00 pm. The exhibition
will run through Friday, April 13. The museum will also be
showcasing artwork from local artists and artists located
across the U.S./ Mexico border in a separate binational
Both receptions will be free and open to the public.
“In an age where visual representations are fundamental to communication and lifestyle, icons and
symbols are the key to ethical precepts, inspirations, and beliefs; they provide a framework for ideals,
emotions, philosophy, and, ultimately, patterns of behavior. Icons and Symbols of the Borderlands
exhibition is an embodiment of the landscape and cultural legacy of the U.S./Mexico borderland.”
Icons and Symbols of the Borderland participating artists include: Ricky Armendáriz, Nanobah Becker,
Antonio Castro, Mark Clark, David DeWitt, Socorro Diamonstein, Gaspar Enríquez, Priscilla Garcia-Franzoni,
Chris Grijalva-García, Wayne Hilton, Romy Sáenz Hawkins, Wopo Holup, Benito Huerta, Ilana Lapid, Lydia
Limas, Cesar Martínez, Diana Molina, Delilah Montoya, Oscar Moya, José Rivera, Roberto Salas, Victoria
Suescum, Miguel Valenzuela, and Andy Villarreal.
Binational exhibition artists include: Armando Ibarra, Ashley Tristan, Daniel Benavides, Eduardo Quintero,
Elizabeth McCormack-Whittemore, Erika Balogh, Gaby Rico, Gil Rocha-Rochelli, Elizabeth Gonzalez,
Humberto Jimenez, Jaime Gonzalez, Jennie Price, Jesus Maria, John Liss, Jose Angel Lozano, Josie Del Castillo,
Josue Ramirez, Juan Mora, Kathryn Elizondo, Kyle Chaput, Leila Hernandez, Linda Lewis, Luis Corpus, Marcy
Gonzalez, Marilyn Brown, Mario Godinez, Maximiliano Cervantes, Noel Palmenez, Rosendo Sandoval, Ruby
Garza, Samantha Rawls, Sandra Gonzalez, Stephen Hawks, Susie Vlaisavljevic, Tochiro Gallegos, Veronica
Cardenas,Veronica Gaona, and Eva Soliz.
Accompanying events for this exhibit include: artist panel discussion on January 31 at UTRGV Rusteberg
Gallery from 6:00 – 8:00 pm and a community event on February 17 at the Brownsville Museum of Fine Art
from 11:00 am – 6:00 pm. Events will be free and open to the public. Please see poster for details.
May 31 – October 11, 2015
Columbus Museum, Yarbrough Gallery
The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s–he takes the lead
In summer luxury,–he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
–On the Grasshopper and Cricket by John Keats
Poetry of Earth highlights the work of two local artists whose works intersect with art and nature. Sally Bradley paints landscape views of the Chattahoochee Valley, and Stephen Hawks produces ceramic works using Georgia clay. The title of the exhibition is inspired by John Keats’ On the Grasshopper and Cricket; the first line says “The poetry of earth is never dead.” In this poem he expresses his appreciation for the continuous cycle of change in the natural world and celebrates the harmony found in both poetry and nature. The works included in Poetry of Earth serve as inspiration for poems that accompany the work on display in the exhibition.
Sally Bradley’s work deals with construction and deconstruction, creating landscapes from layers of collaged paper and acrylic paint. The work develops with multiple and simultaneous perspectives of the subject matter, and it raises questions about human intervention into the environment.
Stephen Hawks, who was the potter in residence at Historic Westville for almost 20 years, uses local clay and inventive glazing techniques. He has perfected his skill in throwing all sizes and shapes of traditional pottery forms, but recently he has begun creating abstract sculptural pieces that are investigations into the nature of form and the relationships of objects in space.
This exhibition is generously underwritten by the George and Ann Swift Family Foundation, Inc. and the Friends of Santa Fe.